ludions
performances and events
2012
2012-01-17. George Brecht Reaslisations, iconic fluxscore miniatures, now even further miniaturised, including 'Motor Vehicle Sundown (Event)' interpreted for toy radio-controlled cars. Directed by Tom Halland performed by Julio d'Escriván, Kevin Flanagan, Tom Hall, Richard Hoadley, Michelle Lewis-King, Paul Rhys and David Ryan. 19:30 in the Recital Hall, Helmore 029, Anglia Ruskin University. Part of the 'Future Fluxus', Visualise Cambridge. Free.
2011
2011-12-08. Chip Interpretations. Performance by Till Bovermann and Tom Hall, with Guest lecture by Till Bovermann (Media Lab Helsinki), inaugural researcher in residence at the Digital Performance Laboratory, Anglia Ruskin University. 6pm, Hel029 (Recital Hall), Anglia Ruskin University, East Road, Cambridge. This event is free and open to the public. chip-interpretations, tai-studio | tangibleauditoryinterfaces.de | blog.lfsaw.de
2011-10-22. until unbidden go, for violin and live electronics. Mifune Tsuji, violin. 7pm, Anglia Ruskin University, East Road, Helmore Building HEL 029, Cambridge CB1 1PT. Part of the 2011 Festival of Ideas. Free. Event details.
2011-09-02. Conference paper, Unaligning Diatonicism: Listening and Composing around Post-atonal Tonality. Conference on Interdisciplinary Musicology 2011, Glasgow and Glasgow Caledonian universities.
2011-08-30, 17:00. Performance by Scottish Voices, the map has been barely marked, for women's voices (S, S, M-S, M-S) and fixed electronics. Glasgow University Chapel, concert part of Conference on Interdisciplinary Musicology 2011.
2011-07-30. Conference paper, 'The seduction of graphism alone'?: the function of notation and technology in the Intersections of Morton Feldman. Seventh Biennial International Conference on Music Since 1900 and the international conference of the Society for Music Analysis. Lancaster Institute for the Contemporary Arts, Lancaster University.
2011-06-13. Triggered: a dance-music-digital performance that builds on the Cage-Cunningham legacy of interaction between music, dance and technology. Composers: Cheryl Frances-Hoad, Tom Hall and Richard Hoadley. Choreographer: Jane Turner. Dancers: David Ogle, Ann Pidcock. Special guest performers: Sam Hayden and Jonathan Impett. Kings Place, London. More information: Triggered@Kings Place; Richard Hoadley's Triggered Archive.
2010
2010-12-02. Guest lecture, materials, process, context: computer-assisted composition with algorithms, Faculty of Music, West Road, University of Cambridge. 14:00.
2010-11-18. Aural Comprehension in Music 1963-1982 Revisited (2010), a multi-channel sound installation and lecture as part of a three day residency in the Experimental Sound Laboratory of the Institute For Music And Media (IMM), Robert Schumann School of Music and Media in Düsseldorf, Germany.
2010-11-10. Performance in a John Cage Musicircus at Kettle's Yard, as part of the John Cage Every Day is a Good Day exhibition. With Richard Hoadley. Slowcoding with SuperCollider using laptop, soundcard, single genelec 8020 on the floor under a bench, pointing upwards (mimesis: the sound of the adjacent humidifyer, set at 56 rh). 20:00-22:00.
2010-11-04. Guest lecture, Triggered: Electronic Music Performance using Human Computer Interaction, Faculty of Music, West Road, University of Cambridge. 14:00.
2010-10-23. Music Technology Now, a demonstration of some of the work of the Anglia Ruskin University Digital Performance Laboratory. With Richard Hoadley. 14:00-16:00, Anglia Rusikin University (East Road reception). Part of the 2010 Cambridge Festival of Ideas.
2010-09-24. Composition Under the Yoke (2010), for flute, trombone, guitar, percussion, narrator and laptop. With Katy Price (text). Performed by members of Ensemble United Berlin and the composers as part of the SuperCollider Symposium 2010, Berlin. Kleiner Wasserspeicher, Diedenhofer Straße, 10405 Berlin.
2010-09-18. Teaching Introduction to SuperCollider workshop, with Nick Collins. Part of the SuperCollider Symposium 2010, Universität der Künste, Institut für zeitbasierte Medien, Grunewaldstraße 2-5, 10823 Berlin. Further workshop 2010-09-19.
2010-06-21. Concert Triggered: evening performance around physical computing and dance, with Richard Hoadley, Cheryl Frances-Hoad along with choreographers Jane Turner and dancers. Part of New Materialisms and Digital Culture, An International Symposium on Contemporary Arts, Media and Cultural Theory. Anlgia Ruskin University. Also includes a workshop on experimental performance and physical computing, 2010-06-22. The event is sponsored by CoDE: the Cultures of the Digital Economy research institute and the Department of English, Communication, Film and Media. More information: tinyurl.com/ydcc7fr
2010-05-15. Hall, T. (2010). Twelve-tone time: analytical and compositional applications of Babbitt's time-point series system using custom software. Music and Numbers International Conference, Canterbury Christ Church University. [research paper]. Expanded abstract published in conference publication ISBN 978-1-899253-76-0. cccumusicandnumbers.org.uk
2010-05-14. Hoadley, R., and Hall, T. (2010). Towards Embodied Control of Algorithmic Music. Music and Numbers International Conference, Canterbury Christ Church University. [research paper]. Expanded abstract published in conference publication ISBN 978-1-899253-76-0. cccumusicandnumbers.org.uk
2010-05-09. Concert, Frame-braking: musical and poetic approaches to technology from subversive, DIY and historical perspectives. With performances by Katy Price, Katharine Norman, Richard Hoadley, Sam Hayden and Tom Hall. Midday Sunday May 9, 2010, Kettle's Yard, Castle Street, Cambridge CB3 0AQ. Entry is free, duration is 60 minutes. Includes Frame-breaking (2007, rev. 2010), for for narrator, two electric guitars and laptops.
2010-03-22. Hall, T. and Hoadley, R. (2010). Invited performance and demonstrations at MIST (Museums, Interfaces, Spaces, Technologies) AHRC workshop, Department of Architecture, University of Cambridge. Continued 2010-03-23.